Monday 26 May 2014

26/05/2014 - THE FACT IS YOU NEVER STOP BEING DRACULA

The fact is you never stop being Dracula. That’s the nub of the matter, the dirty little secret as locked within the heart of most pornographic films of that nature, of that subject matter. No amount of sequential throbbing will change the state of your teeth, you’ll never once see the glisten go away or the yellow enamel take over because fictional myth and all its hermetic structure will just not allow it. Something to do with Giant Vampires and the causeways they build by dropping a few splashes of buffered blood. Everybody leans on the training mats as if children weren’t as ebullient as they should be, according to the scripture of Nought to Zero. I doubt that a serf will have read it, any of your serfs that is. The moment’s passed and the sex has been had.
You put spines out of places, out of sweaty back plastic caverns are struck by time in its mouldy bottle of vinegar, formerly fingers. Cut out the sound like a former schoolboy turned spy, just let it die away into folded concertina petals. The bopping goes along with the choreography, the hip flask an extra accessory for the rich and retired. Honey makes me restless and unkind towards weightless environments filled with encephalitis and gangrene. When I was down, she was there from the start nosing that nobody from your past and my conjoined twin’s present. She’s going to break hearts like a limp wrist on a Sunday morning. I do the breaking around these premises. Whatever you do, stay alert and askance before the lady of the house notices the emblem that you wear around your chest and neck and vest. She’ll give you all from her box of boring breaded nuggets. Roderick has no part in this, just Neil and his motley crew of All-hearts.
Excuse me with cold consideration, shape it into a stake and whittle off the tough bits with your unholy toothy pegs. Presenting the end of today isn't quite as stirring as establishing that tomorrow will never come and that yesterday is merely figurative. The chimes of Transylvania are burrowing into your immortal soles, rising up through your shaky anklebones to become one with the entire mechanism that is your greasy, groaning body. So much white corrective fluid in the space between your nipples, the triangle with your chin. It's not particularly artistic, just a plain actor's role as a busybody with his first name and lazy eye. Romance does enough to make you float around like a demon from hell, it sends you on errands with broken bicycles and tidies away all compartmentalised fishing simulators that might show your essence like a glow stick in a meadow.

It's not really about business, being Dracula, it's about knowing where to cut off relations without offending too many people. Beauty doesn't like to be spurned or scorned or slapped in the tickle spots; it just wants to be wrinkled by a quick pat down on the back of some loser's bus.

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